Indie Artist Music Review - EP - The Wild One by YellaCatt

An EP with the Touch of a Born Genius Rebel

If you love music and the pop genre, then there is something good for your ears in the sound world of Yellacatt.

I have reviewed many EPs before, but never have I come across one that is so frightening, sexually provocative, yet melodically addictive like The Wild One. It’s like hating the fumes that pumps out of your car but you can’t go around without it. Such is the musical costume prowess and immense sound power projected by Yellacatt, the dare-devil queen of pop music.

Who is this Daughter of Eve?

Her stage name is Yellacatt, but her good parents named her Daniella White (supposing the Biblical Daniel is looking down right now from heaven, I wonder what he would be thinking watching this feminine counterpart).

Yellacatt has long been addicted to the art of music from a very young age. She was influenced and enslaved by the sounds of the electronica, the blues, and rock and the soul possessive sound of Persian and Indian mystical music renditions. The result of that is the birth of a woman that has mastered the art of expressing herself in different superlative artistic forms, bearing her own unique popular headdress atelier called “The Plumed Serpent.” Her costumes are so eerie, yet charming as such that it can cause the faint-at-heart to start having nightmares.

The Seattle-born Daniela is regarded as a clairvoyant, a sound healer, someone deep into mysticism as her music aptly portrays. If the likes of Rihanna and Beyonce think themselves to be the queen of pop, well, here is news for them. The real awe-imposing daughter of the pop goddess is in town to give them a run for their money, and her name is Daniella White, a.k.a Yellacatt.

The Wild One EP at a Glance

The Wild One, from a million miles, is more than an EP. It is a compelling four-track masterpiece from a pop-spirit possessed artist with a riotous performance that exudes sensuality, unbridled confidence and immense artistic wisdom that makes most of the current big, fake and overrated names in the industry pale in comparison.

Yellacatt pop sound style is unique and revolutionary, blending pieces of rock, blues, hip pop, and electronica to produce wonderful masterpiece wrapped around her intrinsic creative genius.

The four tracks total 14 minutes of playtime, and each song is daring, audacious, and sexually indicative. Of course, Yellacatt wrote and owns every song in the EP.

Below is a detailed track-by-track review of The Wild One EP.

Yellacatt’s The Wild One EP Track Review

1.) Super Power Pussy

If you are looking for a self-adorn bitch do die ontop tonight, play this song and you will get your wish. But I won’t be there with you when you’re giving your life account to the Good Man above.

Yellacatt kicks off the EP with Super Power Pussy, a track that showcases the raw charisma that defines Yellacatt’s performances. Both the audio and video versions of the songs bore the entire elements that make a modern pop song thick.

The atmosphere of the song, the narrative and melody are so electrifying. The lyrics are lusty and the song is a lush filled with enticing rhythms that can send you to Mars.

I normally do not exaggerate when reviewing music, but this track is worth every bit of it. In an ideal world, this song should be sitting on top of the charts. It’s that kind of song that millions of women would immediately flock to.

The savage lyrics and infectious instrumentals make this song to owe up to its true name, “Super Power Pussy.” You need to watch the video version to understand the feminine power of this song.

The pop star uses suggestive structural costume, captivating backgrounds, and super color light effects to taunts her awe-struck audience in a menacing yet motivational way that changes women’s position from being one of inferiority to complete dominance. This is Lady Gaga and Miley Cyrus compressed into one.

What a way to open an EP!

The song is intended as an inspiring message to women, with powerful words like “…Love yourself, baby, …be that queen.”

2.) Wild Horse

Coming from the electrifying start to the EP from the first song, one would have expected Yellacatt to slow down a bit on this track. Well, she did because those intense instrumentals in Super Power Pussy weren’t there anymore. The beat and overall vibes on this one was more steadied and calculative. But, that was intended to bring to the fore that same commanding vocal and steamy lyrics to draw fans that would be enticed into the singer’s addictive and distinct pop style.

Yellacatt’s voice was extremely beautiful on the Wild Horse track. The song reeks of confidence and encourages that undying tenacity to thrive against the odds. Honest to God, I like the lyrics of this song far more than the first one on the EP. It is the kind of revealing song that listeners would easily relate to, and we know who can’t be tamed or “break me down…” yes, it’s Yellacatt, the wild horse that would always “rise again”.

Great song of confidence.

3.) Dragoness (feat Jonny Joon)

While the first track, Super Power Pussy showcases Yellacatt’s sexual and sensual audacity, Dragoness reveals the singer’s belief in mysticism with maniacal performance.

Teaming up with Jonny Joon, this track starts with a very deceptive slow tempo (that is if you’re listening to the audio only), but with an incredible universal appeal.

Yellacatt’s costume on this one was more like a witch drinking blood in a rugged Halloween festival. But, that was the beauty of this track. Now, I know Lady Gaga is still in kindergarten when it comes to fixing eerie costumes. No one else does it better than Yellacatt.

The pop goddess daughter takes listeners to a one-of-a-kind escapade wrapped in Indian-goddess like mysticism exemplified with charismatic hollow beats, ambient waves, and lingerie melodies that convey both fear and awe. At first, I thought I was seeing the Indian goddess with many hands for real. Dragoness is a complete moody and mythical performance littered with many textual elements and a cult-like theme that are identifiable.

While this is not my kind of song, none can dispute the fact that the serpent dance, fire dance and dragon dance and costume make this song a hit.

4.) Lightning Strikes

The last song on the Wild One EP, and it sure didn’t disappoint at all. The beat on this track from start to finish is captivating, with funky vocals and catchy bass lines. The lyrics are so bold and crisp that some might even mistake her for Miley Cyrus. The vocals on this one carry a soulful touch making it look like a dark club super hit.

What a way to round up a wonderful EP. Lightning Strikes is the kind of song that fans would love the moment they listen to it. That’s the touch of a genius at play.